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Let's talk about how wonderful these artists were in the '80s. They had their own little scene, where they all contributed to eachother's work. Equal parts pop, rock and fantasy. They all loved great bassplaying (preferably fretless!) that was mixed high into the music. Otherwordly keyboard playing, rhythmic guitars.

I don't know what to say, but this is far and away my favorite 'scene'. I don't know what it would be called. Techno-pop, synth-pop. I don't know, but it had a wonderful non-western feel to it all. I mean, if two or more of the above artists/players are on an album, you know it's going to be good! I'll highlight my favorites.Masami Tsuchiya - Rice Music / Tokyo Ballet / Horizon (Mick Karn, Percy Jones, Japan members)Ippu-Do - Night Mirage / Live and Zen (Percy Jones, Japan members)Japan - entire catalogueMick Karn - Bestial Cluster / TitlesMelon - Do You Like Japan?

(ex-Plastics members with Tsuchiya and Japan members, I believe)Dali's Car - The Waking Hour (Karn and Pete Murphy)YMO - Naughty Boys / Technodelic / After Service wonderful live albumLet's talk about how great this music is and how fretless bass playing adds so much to it. There is nothing around today that approaches the greatness of this music.

Fretless playing needs to be reintrudoced into pop music.By the way, new Mick Karn album 'More Better Different' out Sept. 29th in the UK (one day before my birhday, no less!).And of course, Japan and Slyvian expanded and remastered reissues out Sept. I kiss you many times for mentioning Mick Karn.and. Ryuichi Sakamoto.and.

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Masami Tsuchiya.and. the whole Japan/YMO lovefest operation from back around the Tin Drum era. But this:And of course, Japan and Slyvian expanded and remastered reissues out Sept. 15th.This has made my weekend. I had heard about the reissues and was excited about them, BUT OMG, NOW I HAVE A TARGET DATE TO GET EXCITED OVER!

I especially want to get the Oil On Canvas and Brilliant Trees reissues, but you know what's interesting? I was noticing the 'added tracks' on the Gentlemen Take Polaroids reissue and I already have 'The Experience of Swimming' and 'The Width of a Room' on my GTP CD. Then again, I did hear that the US Caroline Records version of the GTP CD.did. have some tracks on it that UK releases didn't have.

Still, it's exciting to know that they're going to have the b-side from the 'Visions of China' single on the GTP CD, and I do look forward to the Tin Drum reissue overall because, um, I accidentally scratched up my old CD.cringes. Now I can only listen to the MP3s of it.sniff. I miss my Tin Drum.

Did you notice how the Tin Drum reissue even has different cover artwork?Yes, I did. I love the new album cover, but can't completely slate the old album cover. I love the Tin Drum cover as we already know it, but you know what?

The photo they use for the reissue cover is one of the best photos I've ever seen of David Sylvian, and I like the clean and simple look of it.And I always thought those two extra tracks on 'Gentlemen' disrupted the flow of the CD. Hopefully they'll be tacked onto the end this time.You think so? I didn't mind so much, perhaps because I'm used to listening to albums where there's an instrumental or two stuck in what may appear to be random areas of an album. But I do love those two songs, especially 'The Experience of Swimming'. And good news for you - I did see an exact track listing, and the additional tracks will be the last ones on the album. Wonder what'll sound different with the remix of 'Taking Islands in Africa'.I'm going to purchase the 3 Japan reissues plus 'Rain Tree Crow' plus 'Brilliant Trees' and 'Gone to Earth'.

Man, that's a lot of money.Oh yes! When I did go back to notice the artwork again, I did take note of the Rain Tree Crow reissue. I'd love to get that one too. Oh man oh man oh man, do I wish I were wealthy enough to where all of this wouldn't be an issue but rather, 'Oh, I can swing all of them at the same time.' Instead, I think I'm going to have to buy one by one, unless Amazon or Half.com or someplace similar offer affordable prices for every one of them. Thanx a lot, pards! Those photos you all posted almost make the band look stupid or something.

Now i'll never be able to enjoy twee yuppie transvestite music ever again, now that i know what it looks like.fretless bass is a pukey spawn of satan, the requisite 'smooth' faux-sophisticated sound that emanates from the hellish fake soul/dead soul likes of sting, whitney houston, and sade. The mere presence of a fretless bass always seems to scream 'class envy!' And 'upwardly mobile twit!' Imagine if you will some low-caste no-marks aspiring to be oh-so sophistimicated (as homer simpson would say).' Hey, what would get us off of the cockney streets and into the winebars, mates?' 'how 'bout tuxedos, a faux blue note lp cover, and a fretless bass, eh?' Try to get one of those with six or eight strings then.'

As an object, the fretless bass is the physical manifestation of all of everything that is wrong with capitalism. A shame deleuze didn't get around to writing a book on them.well, maybe baudrillard will yet. Colin, 'Radio Fantasy' is a great album. If only it had some fretless on it! And I just won Melon' 'Do You Like Japan' on vinyl from ebay, with the obi strip intact!: )Also, I've never been the biffest fan of Jaco. I own his s/t, 'Black Market', 'Heavy Weather' and 'Weather Report: The Jaco Years', and while I enjoy them, I prefer Karn's and Jones' style.

Perhaps Jaco's style is too technical? I suppose I like Karn more because his playing is usually more simple and easier for me to emulate.

I guess I'm not the biggest fan of jazz either. No no, Pino is also a favorite of mine!

It's just that he wasn't a part of the scene I mentioned. I suppose the only connection is that Mick Karn played with Gary Numan and so did Pino. Palladino's fretless playing totally made 'I, Assassin' the great album that it is. My favorite Numan album.Though, you have to admit that Pino chose some pretty cheesy artists to work with. His work with Paul Young was outstanding though, even if the cheese factor was fairly high, especially on the post-'No Parlez' albums. OMG the reissues arrived today and the packaging is AWESOME. The 'Gentlemen' reissue is the most standard-a simple black digipak.

And then it has the 8 original vinyl tracks plus the two from the last CD version, plus 'Taking Islands in Africa (Steve Nye Mix). The 'Oil on Canvas' reissue is twice the size-like a gatefold album.

But 'Tin Drum' is definitely where it's at. It's in this big boxy thing that opens up-and it has the cover that is shown above. And inside is the normal-sized (and original cover) 'Tin Drum' digipak along with a separate 'The Art of Parties' single in a gatefold cardboard sleeve.

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It has the b-sides 'Life Without Buildings' and a live version of the single and 'Ghosts.' And it also has this thick booklet of just pictures for the fans. There are no lyrics for any of the songs, except 'Nightporter' from 'Gentlemen.'

I'm not sure what that's about.I have yet to hear them, though. I'll give an update later. But based on presentation, these come highly recommended. Perhaps of note, according to15th October 2006Ippu-Do 'Magic Vox' CD and DVD box set due out December 20th in Japan.Japan members, Sandii, Bill Nelson and Ryuichi Sakamoto all feature.The box set will include the Ippu-Do albums 'Normal' (1979), 'Real' (1980), 'Radio Fantasy' (1981), 'Night Mirage' (1983), 'Live & Zen' (1984), 'Rice Music' by Masami Tsuchiya and 'Out of Reach' by Akira Mitake.

Included are many tracks featuring performances by Mick Karn, Steve Jansen and Richard Barbieri. Sandii provides backing vocals on several songs while Bill Nelson and Ryuichi Sakamoto make guest appearances on 'Rice Music'. The icing on the cake is that this set comes with a DVD of previously unreleased video clips and performances. All albums with the exception of 'Real' feature bonus tracks.Why be interested? Ippu-Do's front man and main songwriter Masami Tsuchiya was a member of Japan for their final tour and 'Oil on Canvas'.

However, before that his band Ippu-Do were one of the groups contemporary to Japan that were directly influenced by their sound and style. From 'Radio Fantasy' on there are clear similarities to the Japan sound, with all the subsequent relases featuring the group themselves. 'Out of Reach' by Akira Mitake was produced by Richard Barbieri and is a lost gem, with a lovely smooth pop production - something later continued on the Dolphin Brothers album. I also enjoy the first two Ippu-Do albums, where Masami works through his interests in 60s guitar bands and German electronic and prog sounds - often in the same songs. Like the first two Japan albums, they have a raw sound that is pretty compelling and a nice contrast to some of the more refined material on the later recordings.

Like 'Nightporter'? Check out 'Crystal Leaves' on 'Night Mirage', a truly beautiful number. Nearer the release date there will be audio clips available on the Sony website so you can sample the sound of Ippu-Do for yourself.

Contents.Track listing No.TitleArtist(s)Length1.' First Coronation'Ryuichi Sakamoto1:462.' Open the Door'Ryuichi Sakamoto2:543.' Where Is Armo?' Ryuichi Sakamoto2:264.'

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Picking Up Brides'Ryuichi Sakamoto2:395.' The Last Emperor – Theme Variation 1'Ryuichi Sakamoto2:196.' Rain (I Want a Divorce)'Ryuichi Sakamoto1:497.' The Baby (Was Born Dead)'Ryuichi Sakamoto0:558.' The Last Emperor – Theme Variation 2'Ryuichi Sakamoto4:289.'

The Last Emperor – Theme'Ryuichi Sakamoto5:5410.' Main Title Theme (The Last Emperor)'David Byrne4:0111.' Picking a Bride'David Byrne2:0012.'

Bed'David Byrne5:0013.' Wind, Rain, and Water'David Byrne2:1814.' Paper Emperor'David Byrne1:4915.' Lunch'Cong Su4:5416.' Red Guard'The Red Guard Accordion Band1:2017.' The Emperor's Waltz'The Ball Orchestra of Vienna3:0618.' The Red Guard Dance'The Girls Red Guard Dancers0:39Personnel.